Content Article

These painting has placed a confusion to challenge traditional art. Egoism acts as the stereotypical model for casting a magical and mystical sensitivity on the canvas. A whimsical portrayal of fun is on display. The usage of lines, circles and rectangles starves the viewer from envisioning any type of conformity. The pendulum challenges the viewer to move backward and forward through the exhibition to formulate general objects, subjects and meanings.

Atypical in its presentation and leaning unknowingly towards the rays of surrealism, each individual artist has isolated a delicate tension within the avant garde. God’s presents is through this exhibition. An inherited understanding has unleashed the creative forces of psychoanalytic interpretation. The signature behind “restoring one’s self” is an inescapable hallucination, both artist have collaborated with to elaborate upon ideas and methods.

Orchestrating from this avant garde exhibition are theories of personal close identification. Crowding together in the world of abstraction one can feel an extensive reinterpretation of the artist ancestral authenticity: Africa.

Essences of neo-avant garde are present in the exhibition, as there is a more competent explanatory approach to examining its ambiguity. The unidentified method of dealing with art and medicine is a new process with in the neo avant garde. Unfamiliar with its physical and psychological indifferences, this level of higher art has from the conventional orthodox. Depicting ailments and their cognitive cures, through art, has engaged neo avant gardism to embark upon another plateau of higher art.

Medicine and art are a combined functionary attribute which deals wholly with the senses.

Copyright Hugeaux All rights reserved.